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Turning round her Virginia kitchen, Maggie Flannigan looked for her
favorite teacup.
"Where in heavens did it go? Now, stay calm and think for yerself,
woman. Did ya not wash it and put it on the shelf like always?"
A warm June breeze trilled through a small crack in the window, but
provided no answer.
As the kettle whistle, she reached for a potholder. She shook her
head. "Well for pity sake, have I lost me mind?" The cup sat on the
counter, right in front of her.
"All right, enough’s enough, where’s the lot of ya?" Maggie put her
hands on her hips and peered 'round the kitchen. "Where are ya? I
know you’re here."
A teeny-weeny man peeked his head up from the backside of the cup. His
red hair lay in curls on tiny shoulders and he was blessed with the
bluest of eyes. But his mustache appeared much too big for his wee
face. " 'Tis me, back again."
"Patrick O’Day, so good to see the likes of ya again." Mrs. Flannigan
chuckled. "But ya shouldn’t be trying to fool me. Now where’s the
rest of ya hidin’? Where’s that lovely King of yers?"
Lolly O’Malley, the King of Killarney, skipped atop the toaster cover,
then bowed to Mrs. Flannigan. "At yer service, Madam."
Maggie giggled.
Seconds later several faces peeked out from the broom straw. When
music started from somewhere behind the refrigerator, more tiny folks
appeared and started dancing a jig 'round Mrs. Flannigan’s right leg.
The wee creatures, no more than eight inches tall, with red hair, some
curled, some straight, wore tiny green caps shaped like Robin Hood’s
and shoes with pointed toes curled up in front.
"Oh, you little devils, make an old woman think she’s gone daft." Maggie clapped and laughed, then started her own version of the jig.
At once wee folk scattered beyond the reach of her shoes.
"Careful ya don’t be killin’ us, Maggie Flannigan," Lolly said,
wagging his finger at her in mock reproach.
"When did ya come in? Was it last night while I slept in me bed? I
must admit better you than the banshee. And which one of ya messed
with the cup me ma painted for me? I need to know cause I’m gonna skin
ya alive."
"Ya know we’ll not be answering yer questions, my dear. 'Tis not our
way." Patrick climbed on Maggie's lap, crawled up the bodice of her
apron, then slid down her arms, laughin’ to beat the band.
Maggie joined in the laughter until her ample belly shook like a bowl
of jelly. "Well since you decided to visit," she said between
gaffaws, "you might as well stay for chocolate biscuits and a fine cup
of tea. I’ve a story to tell ya."
"We love ya stories," another wee man said as he plopped into her
lap. "Is it about ya first born?"
"No, 'tis not. It’s about that special cup of mine ya been playin’
with. We Irish, as ya well know, like our tea out of a fine china
cup. It sets the mood, makes the tea taste better. Now, this here’s me
favorite cup, 'cause it was given to me when I was a wee girl living
in Ireland.
"I remember when Mum gave it to. 'Twas in 1890, on me tenth birthday.
" 'Now, Maggie Flannigan,’ me mum says, 'you take good care of this
cup. It took me months to paint it for ya, and with all the chores I
have to do 'round here, with no help from the likes of you to boot, I
thought I’d never get it done.’
" 'Oh, Mum,’ I said to her, 'it’s beautiful, let’s see what you
painted on it.’
"I want ya little buggers to look at the cup, but be very careful.
I’ll skin the one who breaks it."
"We’ll be careful, we’ll treat it like our pot of gold."
"As ya can see, the cup is very thin with Shamrocks painted all 'round
the top like green lace. The rest of the cup has the teeniest, tiniest
pictures of wee people painted against the white background."
"Maggie, we all know about yer cup," Lolly said with a grin. "We were
there for gosh-sake. Yer Mum, Mary Hennigan, painted it with her
special dyes. I witnessed with me own eyes." Lolly’s little crown
tipped back on his head.
"I’d forgotten that part of me story, but since you’re a little know
it all, you tell it," Maggie said.
"I will, I will. Mary Hennigan made the browns from boiled eggshells,
the reds from beet juice, the greens from Shamrocks soaked in Irish
rains. She used clay to make the dandy siennas."
"You so right, King Lolly. I just wish she was still among the living
and could see how much I appreciate all that she done for me. Oh, I’ve
been gone from Ireland too long, but if you were there, then you know
what else she said the day she gave me the cup."
"She said, 'Maggie, you’ve a true kinship with the wee people. Look
after 'em and they’ll look after you.’ " Patrick winked at Maggie.
"Truer words never left me Mum's lips, for I love all of ya." Maggie
sighed. "But why am I so melancholy this day?"
"You’ve not had yer tea and we neither. That’s what wrong with ya."
Patrick stroked Maggie’s finger.
"Maybe so," Maggie said. "We’ll have it now and chocolate biscuits,
or have ya put me biscuits in the trees?" Maggie prepared to stand,
and the wee people scurried out of her lap.
"How’d ya know what we done with ya biscuits, Missy? Are ya above
sharin’ a crumb or two with God's true singers?" Lolly grinned.
"Don’t go gettin’ fresh with me, ya little tike. I share with the
birds like I say me prayers, and while I’m about it, you’ll address me
as 'Maggie’, if ya please."
"And am I, the King of Killarney, to be addressed as Little Tike?" Lolly said.
Maggie grinned. "Come give us a kiss, and stop this nonsense." She
bent down to the wee king.
He reached for her wrinkled hand and, ever so lightly, kissed it.
In the corner of the kitchen stood an emerald green child’s china
cabinet. Behind the glass doors, on the bottom shelf, sat twelve cups
no bigger than thimbles and saucers the size of quarters. Beside the
cabinet was a small table and chairs made from old maple.
"Here, put on this fine white cloth," Maggie said to Patrick as she
handed him a handkerchief. "I’m getting old, I can’t wait on ya like
I used to."
Maggie set out the tea and biscuit crumbs then lowered herself into
her chair. The King and all the other wee folks seated themselves.
"Oh, 'tis grand. I’ve been weepy off and on this whole day and just
look at ya, come to make an old woman happy, have ya?"
"Well Maggie, we’ve been keepin’ an eye on ya since mornin’ and
watchin’ those big brown eyes of yers starin’ off to God knows where."
"Ya been watchin’ me, have ya? Is it not bad enough me own children
have taken to worryin’ 'bout me, tellin’ me to wear a sweater, make
sure the stove’s off, and the like? Now I’m to have twelve pairs of
wee eyes on me each and every move?"
"Now, Maggie, don’t go getting’ yer Irish up, we can’t stand seein’
those eyes of yers lookin’ so sad. We do know where ya go ta in that
sweet head of yours, but we’re afraid if ya keep it up, ya won’t be
comin’ back to us one day," Lolly said, softly.
"Oh, blarney, I been feelin’ weepy. I’m Irish, ya know. Am I not
entitled to a little melancholy once in a blue moon? Anyway, are we
goin’ ta have a lovely cup of tea or not?" Maggie frowned.
"Does a donkey’s tail cover the crack of his arse?" Patrick said.
With that, everyone, Maggie included, laughed.
After all had their fill of tea and biscuits, Lolly said, "We're on a
mission to make our dear, sweet Maggie a happy woman.
"Oh my," Maggie said, wide-eyed.
"Close yer eyes and count to ten. And no peekin’ 'til I say."
Maggie closed her eyes and counted. When she opened them, she gasped.
"Saints preserve us," she cried. "Would ya look at that. Why it's the
most delicious looking cake I've ever seen. The whipped cream looks
like miniature mountains, for pity sake." Atop the cake, sixty-three
candles glowed.
"Are ya not afraid those candles will set this lovely cake afire? And
where did ya find strawberries as big as plums?
"Tisk, tisk, Maggie. Don’tcha remember nothing? We can’na answer yer
questions." Patrick danced around the cake.
"Maggie Flannigan," Lolly said, "did ya not know 'tis yer birthday?"
"Dear heavens, I did not. How can I ever thank you?" Maggie wiped
tears from her cheeks.
" 'Tis us who should be thanking ya, Maggie. Yer Mum would be so
proud to see how well ya’ve taken care of yer teacup and us all these
long years.
More tears ran down Maggie’s face.
"Stop cryin’, Girl. 'Tis yer birthday and the party’s only just
begun."
They sang Happy Birthday to her in Gaelic, and then the room filled
with the sound of Irish thunder as twelve little feet began Irish step
dancing across Maggie's table.
BIO: Helen Mills is a Virginia Beach artist, a member of Chesapeake Bay Art Association for over 15 years and a writer of short stories
and poetry. Her poetry has been published in the VWC Review, a local
university poetry publication. A member of The Virginia Beach Writers' group in Virginia Beach, she has taken several writing courses from Moondance Columns Editor Lauren Strait, whom she deems to be the best writing teacher in the area! |